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This cookie is used for authentication and for secure log-in. This cookie is set by Beeswax to determine whether the user has accepted the cookie consent box. This cookie is used to manage the interaction with the online bots. This cookie is set by the provider Akamai Bot Manager. This cookie is used to detect and defend when a client attempt to replay a cookie.This cookie manages the interaction with online bots and takes the appropriate actions. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. We haven’t had our great COVID movie yet (thank god) because an inability to make movies on a large scale is one of the continuing features of the pandemic itself. What could we get done today, you have to ask yourself, if we had recourse to such anger? What kind of mountains could such anger move around, for instance, the COVID-19 pandemic, which is very much still ongoing and is, unlike AIDS, conspicuously un-visual. And the anger in such films is righteous: it leaps off the screen.
Even before anyone knew (or, in the case of straight audiences, cared to know) what the hell was going on, first with GRIDS, then with AIDS, people were making angry movies about it. The AIDS epidemic was shown to us visually. The low-budget, made-on-a-dime, stitched-together poorly lit films that provide us with the understanding we want and need when thinking about an especially historic moment in time. Sometimes it’s not the great movies of an era that give us the truth about that era.
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